MTV (2004)
MTV.com
30th April 2004
Interview by Sway Calloway
I've interviewed everyone from 50 Cent to J. Lo, but I've never been as
nervous as I was with Prince. I consider him a true artist. So for me,
the assignment was a rise. Everyone was telling me what a difficult interview
he was going to be. Everyone said he either likes you or he doesn't. When
I finally caught up with him after his New York City performance last week,
I was told that I had 15 minutes to ask just five previously discussed
questions. I figured, "Well, if it stinks, it'll only be 15 minutes
of stink."
Prince greeted me backstage by putting his right hand on
my left shoulder and simply saying, "Hey." Just like that I
turned into a third-grade girl at Sunday school. We talked a minute about
his
bass player, Rhonda,
who I knew from way back in L.A., and his monitor guy, Gordon, who could
pass as my twin. It was a warm prelude. But once we started, I met the
man people had warned me about.
Prince was cooperative, but the air felt
a little thick. I had 12 minutes left and I was running out of questions,
so I started asking things I
wasn't supposed to ask. It seemed to catch him a little off guard,
but he paused
and took my questions in. He gave it up talking about the music.
Eight
minutes later the interview was over. I thanked Prince, and he said in
that cool, low voice of his, "You're welcome." That's when
my nerves finally settled.
Sway: To see you out onstage with the new
project, you don't look like you've aged one day. You still have the
same energy. Is it the
funk
that gives you that energy?
Prince: Absolutely. Also, the wonderful people I have
working with me. They keep me energized.
Sway: I wanted to tell you this story first: I was
watching the Dave Chappelle show, and Eddie Murphy's brother Charlie Murphy
does this
thing on it called "True
Life Hollywood Stories," and he told this story that he was hanging
out with you at your house, and you guys were listening to music, and then
you came up with the idea to all go play basketball. He said they didn't
have any clothes, so you got them shorts and T-shirts, but he said that
your crew showed up to the basketball court with the same wardrobe [as
you wear onstage]. High heels, suited and booted. Is that true?
Prince: That part's not true. But the whupping's true.
Sway: The whupping's true. So you've got basketball
skills?
Prince: A little bit.
Sway: Yeah? What you got? A crossover dribble? Or
a jump shot?
Prince: We didn't call it crossover back then.
Sway: What'd you call it?
Prince: Just speed.
Sway: Just speed? So you played when you were younger?
And you still play?
Prince: Sometimes. Not so much anymore.
Sway: OK. A lot of people see your work ethic, as
far as the public eye can see, as always in the studio, always writing
and producing
songs,
maybe even producing a movie, or on the road, but when you're not
working on
a random Tuesday, Wednesday, Thursday, what is it that you do to
occupy your time?
Prince: One thing: I feel that music is a blessing.
I don't feel like I'm working. So when I'm not "working," I'm thinking about it, so
music takes up a good portion of the time.
Sway: Do you have homies? Do you kick it with friends?
Prince: Well, my musicians are my friends. I have
family as well.
Sway: In terms of recreation, y'all go to the movies?
Prince: Yeah, we check out movies. Normal stuff.
Sway: Let's talk about the album, Musicology. All
right, that term, I play dominoes, and when you study dominology, that
means you're
a master
at
dominoes, so Musicology, is that what that means? That you're a
master at music?
Prince: I'd like to believe that. I have
it pretty well
mastered. I'm always learning, though. I like to believe that
it's infinite,
too, so once one can do whatever it is that one desires with
any one particular
art form, then I would suppose they would have mastered it. So
in that case, to answer your question, then yes.
Sway: I know you said don't call it a comeback, you've
been here for years, but I feel like you're coming back - maybe not
coming
back,
but you're
re-entering the game in a storm, like almost as if there's a void
in music. Do you feel like there is a void in music?
Prince: Well, there was a void to me. I wasn't getting
very inspired by too many new things. I dig Outkast and Alicia Keys,
folks like
that, but
there's not a lot of musicians out there right now, and I grew
up listening to musicians like Return to Forever, James Brown,
Earth,
Wind & Fire,
and I kind of feel that's missing. So hopefully we can interject a little
noise in that area.
Sway: So musicianship as a whole - because, you know,
those people that you mentioned, Alicia Keys, Andre, they all play instruments.
So you
think that's important to bring back into the game?
Prince: Oh, absolutely. Otherwise we'll just be a
computer in the future, all of us.
Sway: One thing I've been interested in when it came
to your music was that you always found a way to touch on political
issues, with
songs
like "Sign
'O' the Times," "Ronnie, Talk to Russia," even "Pop
Life," in a sense. Is there that song on this album, on Musicology,
with all the problems we're experiencing in the world today? Will you even
go there?
Prince: Well, what we're trying to do now is put the
family first. When you come to a certain age, you have certain responsibilities
that you
have to deal with. When it comes to the video channels and the
programs, the
radio stations, the music is geared towards kids, and it's made
by kids. So to really discuss some of these issues, with a great
sense
of wisdom,
is gonna be a little tricky. I mean, you gotta live life before
you can really talk too much about it. So, you know, this record,
remember,
it's
made by someone who's been there and back. So hopefully people
feel that and listen to it with that set of ears, as opposed to
looking
for what
is "a hit." Music is music, ultimately. If it makes you feel
good, cool.
Sway: I know the song "Dear Mr. Man," if I'm not mistaken, you
start off with what's wrong with the world today, how things have got to
get better. What are some of those things that you feel are wrong with
the world today?
Prince: Well, it's obvious that there's an agenda
against the disenfranchised and the uneducated, so ultimately, I think,
to counter that, we're
gonna have to talk to one another. One of the ways we used to do
that was through
our music, I grew up with the Staple Singers, Curtis Mayfield,
Marvin Gaye's "What's
Going On," stuff like that and that particular sound, you
know. That sound of the people to voice our concerns in those types
of areas is gone
now. Hopefully they'll allow this voice to be heard a little more.
We'll see.
Sway: You also touch on issues - like the post-September
11 era, the war in Iraq - that are still important to you as an
artist.
Prince: Well we've been at war since about 1914. The
world's just been chaotic. It's caused injury to man for a long time now.
The
only thing
that's gonna get us out of this mess is coming back to God. I like
to try to keep the focus there. Man hasn't really done too well,
getting us out
of this predicament, so I think sooner or later we're gonna all
have to turn back to God.
Sway: OK, one thing I've always been fascinated with:
In your early music it was always self-contained -- you played instruments,
every
piece, every
vocal, every background, wrote every lyric, and I always wondered
how that process is done. When you're recording a song, do you
come up
with a melody
first or record the drum track or write the lyrics? I mean, how
were you able to do that? How does it work?
Prince: One of the things that I think is important
is that one learns how to listen. So I never stop being a fan. Even if
the music was
coming through me, I was still listening to it as an admirer of
the sound,
so whatever I heard, be it a lyric or a melody line or a beat or
whatever, sometimes just the bass line, I paid attention to it,
and I would let
that start the song first. Once you get that main thing down, then
that's
the
leader and that's gonna tell you what the next instrument is supposed
to be.
Sway: So you can go into a session and not even have
the full picture in mind, lay down the bass line, and then build around
that?
Prince: I could. I've done it before, yes.
Sway: That's incredible. Has anything about you, as
an artist, changed that we'll discover in Musicology?
Prince: Yeah, I think that I'm constantly changing.
One thing I notice is that some people want me to play like I used
to play,
and what
they forget sometimes is that I was there, I did it, so for me
to do it
again is not gonna be so exciting. If I'm going to play "Let's Go Crazy," then
I don't want another song that sounds like that, because I've got
that slot filled. I'm always trying to look for something new.
Sway: Is that one of the reasons you're choosing not
to play some of the classics on this tour?
Prince: That's one reason. And there's so much new
stuff coming that we gotta make some room, 'cause you know, most artists,
they're
not
in the
game this long, and we don't have any plans to stop, so we
gotta
make room for the new kids.
Sway: You've come a long way and you've accomplished
a lot since you came to New York and got your first record
deal.
Are
you satisfied
with all
your accomplishments up to this point?
Prince: Every day I'm satisfied. Every day I feel
is a blessing from God. And I consider it a new beginning.
Yeah,
everything
is
beautiful.